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Things that make me bitter and twisted |
I recently had an interesting discussion with a
training course participant about the things that leave us bitter and twisted when we go
to restaurants or are eating out. Now I don't suppose for one minute that either of us
would be your normal customers far from it we both eat out more often than
most people, and because we're involved in hospitality management our view of things is
likely to be more critical than normal.
My What cheeses me off' file starts with the approach to a restaurant, cafe or fast
food business. Some owners and managers seem to only approach their businesses from the
back door and don't make a habit of regularly checking their customers' view of the
entrance to their business. Call me capricious, but dead flies on the window ledge or
parched, half dead plants in the entrance don't enhance my experience or give me
confidence in the hygiene standards of the place, no matter how well run the rest of the
business is.
Then there's the all important greeting, or lack of it. All too often I find myself
standing in a foyer like a shag on a rock with staff darting all around me studiously
avoiding eye contact, while everybody assumes the designated host or hostess (who always
seems to be busy somewhere else) will take care of us. Hello! Am I invisible? I'm often
tempted to wave a fifty in the air just to see who really has spotted us.
We move on then to the well known Aussie restaurant greeting: Fa'two?' or its full
length version Table fa'two . . . smokin' or non-smokin'? Pardon me, but I still
like old fashioned stuff like Good evening' and Hello'. I'm surprised some
enterprising contemporary restaurateur in a frenzy of wage reduction hasn't just painted
numbers on the floor so you can assemble of the spot and the staff don't have to ask or
engage in any unnecessary communication. The host or hostess could just have follow
me' written on the back of their uniform.
Let's say you've survived all that, been seated and the waiter pops the question
Would you care for a drink?' You call for the wine list which turns out to be
standard fare all in their infancy and quite expensive. After failing to spot
anything interesting you shut your eyes and point, just to get the show on the road. A
week later you are relating your disappointment to someone else and they exclaim Why
didn't you ask for their reserve list, it's fantastic, they've got 95 Bass Phillip
Premium for $50 a bottle!'
Then the menu is presented with a flourish and to your horror you note that it is printed
in 10 point fancy type in unfamiliar, culinary language and the lighting is dim. You young
folks won't relate to this but anybody over the age of forty-five will know exactly what
I'm getting to here. Now you're faced with a serious dilemma do you fumble around
and put your reading glasses on and transform from Mr Smooth into Mr Magoo, or do you
excuse yourself and sneak off to the toilet with the menu under your arm? Neither is a
good look really.

At this point we'll gloss over some minor tribulations like deciphering a menu
written by a sensitive artiste with grandiose ideas about the use of culinary language, or
being subjected to the ultimate test of concentration and memory when the waiter recites a
long list of specials at the table we finally get some food. Unfortunately it is
accompanied by a disinterested waiter with a one metre long pepper grinder that doesn't
work. Being so far away from the business end of the grinder they can't see this, and
after a few non-productive twists they pirouette and withdraw, leaving black pepper lovers
like myself in a state of agitated anticipation.
We now settle down to enjoying our food and our guest. Sensing the perfect opportunity to
spin a complex and sophisticated yarn that relies on perfect timing, we commence to tell a
joke. Right at the vital pause before the punch line we are interrupted by the waiter who
stops to enquire if we are enjoying our meal. The magic moment lost forever, we valiantly
finish the story and are met with the disinterested expression of someone who has
moved on to other thoughts. We make mental note to halve the tip.
Our second bottle of wine arrives. It is corked. We politely call the waiter and explain
that we would like a replacement bottle. The waiter responds: Certainly sir,' but
the body language says: What would you bastards know about wine?'. A short time
later we see the waiter, the barman and a kitchen hand all sampling the wine, looking our
way and shrugging. The kitchen hand takes the bottle and two glasses into the kitchen. We
further reduce the tip.
Finally we call for the bill; it arrives twenty minutes later and we place our credit card
into the tray. It sits there for another ten minutes and then a waiter en route from
another table to the kitchen sweeps it up without a word. A short time later they return.
I'm sorry sir, we don't take American Express. Do you have anything else?' We do
actually, but it was declined that afternoon at a service station and we're not game to
try again. A short, one kilometre walk to the ATM will do us good.
Finally we politely enquire: Can you call us a taxi, please?' We could' comes
the response, but you'd be better off hailing one out the front yourself. If we call
them they take forever. There's a taxi rank near the ATM'
I hope you don't think I'm exaggerating. I get all of these often enough to warrant
comment, but thankfully not all at once . . .
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